Terminal Beach

Like Charrière's series Polygon, these black and white works recall the objective style of the Dusseldorf School while surveying the apotheosis of mid-century atomic-industrial architecture. With their rusting iron rebar and crumbling concrete, now falling like flakes – prey to salt air and, once, unimaginable vibrations - some of these structures recall pyramids; odious leftovers of a questionable ideal.Aomen II - Terminal Beach, 2016